Guitarist, songwriter and artist Rowland S. Howard was an instrumental figure in the Australian rock scene, particularly renowned for his role in seminal post-punk outfit The Birthday Party. In a career spanning 30 years Howard worked with the best artists of his generation, including Henry Rollins, Lydia Lunch and Ollie Olsen. His was a singular talent, cut short by an untimely death in 2009.

The self-deprecating stand-up discusses differing vaccine views, global women leaders, some intimate pleasures and his own parents in this live show.

A scientific experiment unknowingly brings extraterrestrial life forms to the Earth through a laser beam. First is the cigar-smoking drake, Howard, from the duck's planet. A few kids try to keep him from the greedy scientists and help him back to his planet, but then a much less friendly being arrives through the beam...

The original television show produced on Saturdays at WWOR in Secaucus, NJ from 1990 to 1992. This was originally intended as a 4-episode summer special, but its popularity lead to syndication in major markets.

Howard Bloom spent much of the 1970s and 80s as the publicist for iconic musicians like Michael Jackson, Prince, Joan Jett, Run-DMC, and Aerosmith. When a rare disease left him housebound for 15 years, Bloom reinvented himself as an author, publishing several books on evolutionary psychology and humanity’s role in the cosmos. Now in his 70s, the eccentric philosopher readies an unfathomably long masterwork that will unify all of his unorthodox theories, and makes plans for his legacy.

S.I.S., or Special Investigation Squad, is an elite branch of the LAPD. A new psychopath terrorizing Los Angeles proves to be their hardest case yet.

暂无剧情简介

暂无剧情简介

S represents the middle section of the trilogy Körper, S and noBody by Sasha Waltz. The piece acts as a connective link between the investigation of the physical being in »Körper« and the metaphysical being in nobody. While sexuality and Eros are all but absent from these two pieces, with »S« they constitute central themes. The New York musician Jonathan Bepler, renowned for his long-standing collaboration with Matthew Barney on Cremaster Cycle, composed the room-encompassing original music for the production.

The world as a plaything for a giantess from outer space. A Godzilla-imitation on the way to herself: the giantess from outer space in the streets of a big city, fooling around, producing destruction, copulating with the Eiffel Tower. An orchestra of big feelings, the melodrama, defamed in infantile sounds and absurd costume, in make-up-persiflage and grotesque body-art-performances.